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Maylilies LogoMay 2, 2005
Monday

I first wrote about Wyoming in this space in 2001. I gave my childhood vision of the place:

"In Wyoming, people live on ranches or in towns with wooden sidewalks. There are no big supermarkets or Wal-Marts, just individual shops of different sizes and designs attached in rows. One of them is a saloon with swinging half doors that go from neck to knee. In Wyoming the sky is blue and the fields are gold and green and everyone owns a horse. The vista stretches unbroken along amber waves of grain, and you can ride your horse on out into forever in search of adventure."

Seven months later I mentioned the place again. I'd read an anthologized short story by Wyoming writer Annie Proulx. Eventually I read the whole collection from which it had come. Even though each piece in Close Range treated some universal theme of what it means to be human, each had a distinct local color, something that made it a Wyoming story rather than a generic story. I expressed the fear that a trip to Wyoming might be wasted on me. "Wyoming is in Annie Proulx's blood," I wrote, "in her DNA, the way central Pennsylvania is in mine. Were I to go to Wyoming, I would be a stranger in a strange land, having to learn what the hills have to teach before I could write about them or in them. And it might be too late for me to do that."

I realized that I seemed to be inventing excuses for not going to Wyoming. I was too old, too out of shape. I couldn't learn enough about Wyoming to justify visiting. What was I thinking? The theme of the stranger in a strange land is one that runs through nearly everything I write. Annie Proulx didn't start to write fiction until she was past 50. Blind people climb Mount Everest! If you can dream it, you can do it!

I spent the rest of 2002 still thinking about Wyoming. I went to Massachusetts and Vermont, both familiar terrain. I went to Vermont again in 2003 and 2004. And like my first return trip to Vermont in 2002, which had been sparked by a friend's casual remark, the decision to go to Wyoming, really go, not just think about it anymore, was sparked by a line in It's a Wonderful Life, a movie I didn't even really like.

So I have spent six months reading and learning about Wyoming. One of the books I read was Gretel Ehrlich's The Solace of Open Spaces, a collection of short essays about her life there after a career as a filmmaker. I was delighted to note that I recognized the place names in one of the pieces from my research.

I set the date and bought my plane tickets in February. Last week I set up all my lodging. I'll be gone June 15-29. I'm flying to Denver and renting a car. I'll have two days in Cheyenne and Laramie before I head for Wind River Country. Then I have two nights in Riverton, three in Lander, two in Pinedale, two in Rock Springs, and two in Rawlins before heading back to Denver and then home.

A lot of people ask me why I'm going to Wyoming, especially after they learn I am going alone and not as part of some Club Med-type packaged resort vacation. I give the same answer George Mallory gave when asked why he wanted to climb Mount Everest.

Because it's there.

 (Previous -- Next)
Table of Contents for The Soul Ajar
  Also visit The Open Page — A Writer's Commonplace
and
Enormous Moments – Notes from the Road

(Previous volumes of this journal can be accessed from the directories below.)

Dwelling in Possibility 2004
 The Gestures of Trees 2003
My Letter to the World 2002
My Letter to the World 2001
My Letter to the World 2000
 
My Letter to the World 1999

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  The contents of this page are © 2005 by
Margaret DeAngelis.

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