The passage above is an excerpt from the memoir I wrote in 2000 and
offered to (or, some might say, foisted upon) my party guests and
year-end letter
recipients as a gift booklet. That's the first year I included the
childhood memory table, where I put the
Lussibruden doll and the cardamom
buns mentioned
yesterday,
a Whitman's Sampler (with a little tool to stick into the bottom of a
chocolate and extract a smidgen so you know what you're getting), and a
plate of the cookies. I also put up the picture of my mother shown
below.
My sister took this
picture
in 1960 with (we think) a Kodak
Brownie camera, a gift from a family friend (again, a guess, based on a
short walk through the labyrinths of memory). She was in fifth grade
and I was in eighth. We lived in half a double
house on Fifth Street in Harrisburg. John Kennedy had just been elected
president, and we saw record snowfall that season. Behind Mother is our
1958 two-tone gray Ford Fairlane, she is wearing a black Persian
lamb coat that she loved, and she is smiling.
This picture symbolizes every positive memory I have of my childhood
and of my parents. I have many such memories, but I also have others
that
have fueled a long relationship with a therapist. Every year I find
more peace with myself and with my past, and when I get out this
picture at Christmas all I feel is joy.
That's why I want those cookies. They are my
madeleines.
My cousin's mother and my mother were sisters, and recently he and I
talked about their proclivities in the kitchen. Both were indifferent
cooks. The food was nutritious (by 1950s standards) and it kept you
alive, but you didn't
look forward to their meat pies or turkey stuffing. You did, however,
crave Aunt Mary's choclate-covered Easter eggs and my mother's
Christmas cookies.
Alas, I have not inherited my mother's zeal as a baker of cookies. Pies
and cakes and elaborate breads, yes, but not cookies. A cookie baking
session for me results in bits of batter stuck in my hair and up my
nose, an alarming number of utensils and mixing bowls and cookie sheets
to wash, and a yield far below that which the recipe suggests. My sand
tarts especially turn out misshapen and burned on the bottom.
In recent years I have subcontracted the cookie portion of my party.
Schenk's Bakery on Mountain Road in Linglestown turns out gorgeous sand
tarts and acceptable chocolate chip varieties. Nobody makes the cherry
corn flakes kind, but I sort of solved the problem by developing a pan
cookie version which mixes the corn flakes in with the batter instead
of having to roll a sticky blob in a pile of crumbs.
Schenk's sand tarts look nice, but they don't taste the same. And it's
a family joke to make the Toll House cookies the way my mother did,
with only half the chocolate. This year, I wanted things real. So
yesterday I tackled the task.
I labored mightily the entire day and brought forth four dozen sand
tarts (not six
dozen — you can't read though mine), four dozen (not five
dozen) corn flake cherry drops, but only two dozen instead of five
dozen Toll House cookies.
I did not do them
à la Rose,
but
à la Dennee, to
honor my
best friend from Fifth Street, Dennee Frey. She taught me that not only
did you not have to double all the ingredients but the chocolate, you
didn't have to make the cookies so small you got a yield of five dozen.
As usual, I got dough in my hair and dough up my nose. But last night I
was able to sit on the floor in front of the lighted Christmas tree and
enjoy a plate of homemade cookies, remembering.